Juka Perpignan and Assaf Uria's quintet host Rona Keenan

eventIsrotel Theatre, ืื™ืœืช
Juka Perpignan and Assaf Uria's quintet host Rona Keenan

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ื‘ืžื—ื•ื•ื” ืœืืœื‘ื•ื ื”ื‘ื•ืกื” ื”ืื™ืงื•ื ื™  Getz/Gilberto

ืœืคื ื™ ื›ืžืขื˜ 60 ืฉื ื™ื ืจืื” ืื•ืจ ืื—ื“ ืžื”ืืœื‘ื•ืžื™ื ื”ื’ื“ื•ืœื™ื ื•ื”ืžืฆืœื™ื—ื™ื ื‘ืชื•ืœื“ื•ืช ื”ื’ืณืื–: Getz/Gilberto.
ืฉื™ืชื•ืฃ ื”ืคืขื•ืœื” ื‘ื™ืŸ ื ื’ืŸ ื”ืกืงืกื•ืคื•ืŸ ื”ืืžืจื™ืงืื™ Stan Getz ื•ื‘ื™ืŸ ื”ื’ื™ื˜ืจื™ืกื˜ ื•ื”ื–ืžืจ ื”ื‘ืจื–ื™ืœืื™ Joรฃo Gilberto ื”ื‘ื™ื ืœืงื“ืžืช ื”ื‘ืžื” ื”ืขื•ืœืžื™ืช ืืช ื”ื™ืฆื™ืจื•ืช ืฉืœ ืื ื˜ื•ื ื™ื• ืงืจืœื•ืก ื’ืณื•ื‘ื™ื ื”ื’ื“ื•ืœ, ืฉื’ื ื”ืชืืจื— ื‘ื”ืงืœื˜ื•ืช ื•ื›ืชื‘ ืืช ืžืจื‘ื™ืช ืฉื™ืจื™ ื”ืืœื‘ื•ื.

ื ื’ืŸ ื›ืœื™ ื”ื”ืงืฉื” ื•ื”ื–ืžืจ ื”ืžื•ืขืจืš, ื–ืณื•ืงื” ืคืจืคื™ื ื™ืืŸ, ืžืกืคืจ ืขืœ ื”ืืœื‘ื•ื: ืด|ื›ื‘ืจ ืขื ืฆืืชื• ื‘ืฉื ืช 1964 ื ืงืฉืจื• ืœืืœื‘ื•ื ื›ืชืจื™ื ืจื‘ื™ื (ื›ื•ืœืœ ืืœื‘ื•ื ื”ืฉื ื” ื‘ืคืจืกื™ ื”ื’ืจืืžื™) ื•ื‘ืžืจื•ืฆืช ื”ืฉื ื™ื ื”ื•ื ื”ืคืš ืœืื—ื“ ื”ืื”ื•ื‘ื™ื ื•ื”ืžื ื›ืจื™ื ื‘ื™ื•ืชืจ ื‘ืชื•ืœื“ื•ืช ื”ื’ืณืื–. ื”ืฉื™ืœื•ื‘ ืฉืœ ื”ื”ืจืžื•ื ื™ื” ื”ืžืชื•ื—ื›ืžืช, ื”ืงืฆื‘ ื”ืกื•ื—ืฃ ื•ื”ืžื ื™ืžืœื™ื–ื ื‘ื‘ื™ืฆื•ืข ืฉืœ ื’ืฅ ื•ื’ืณื™ืœื‘ืจื˜ื• ื”ื‘ื™ืื• ืจื•ื— ื—ื“ืฉื” ืœืกืฆื ื” ื”ืžื•ื–ื™ืงืœื™ืช ืฉืœ ื”ืชืงื•ืคื” ื•ื”ืงืกื™ืžื• ืืช ื”ืขื•ืœืืด.

ืคืจืคื™ื ื™ืืŸ ื™ื—ื‘ื•ืจ ื‘ืžื•ืคืข ืœื ื’ืŸ ืกืงืกื•ืคื•ืŸ ื”ื˜ื ื•ืจ ืืกืฃ ื™ื•ืจื™ื”, ืœื‘ื™ืฆื•ืข ื—ื™ ืฉืœ ืงื˜ืขื™ ื”ืืœื‘ื•ื ื‘ืขื™ื‘ื•ื“ื™ื ืžืงื•ืจื™ื™ื ื•ื—ื“ืฉื ื™ื™ื. ื™ื—ื“ ืื™ืชื ืขืœ ื”ื‘ืžื” ื›ืžื” ืžื˜ื•ื‘ื™ ื”ื ื’ื ื™ื ืฉืœ ื”ืกื’ื ื•ืŸ ื‘ืืจืฅ: ืžืจืกืœื• ื ืžื™ (ื’ื™ื˜ืจื”), ืจื•ืขื™ ื‘ืŸ ืกื™ืจื (ืคืกื ืชืจ) ื•ื’ื™ื ืœื•ื™ (ืงื•ื ื˜ืจื‘ืก).

ืืกืฃ ื™ื•ืจื™ื” ืžืกืคืจ ืขืœ Getz/Gilberto:
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Event Rules

ืคืชื™ื—ืช ื“ืœืชื•ืช ื›-30 ื“ืงื•ืช ืœืคื ื™ ืฉืขืช ื”ืžื•ืคืข